Chris Ashworth

The pillars of Monster Children are surf, skate, music, art and travel but everyone knows design is the silent one. Without design there would be no Monster Children, and without Chris Ashworth there would be no design. We’ve been admiring Chris’s sharp, contemporary, experimental typographic style since forever. Heading one of the most explorative, iconic print publication of the 90s’ Ray Gun, Chris’s contribution to graphic design and the analag process is nothing less than admirable. He has fervently influenced how we make magazines and what follows is the nerdiest conversation two designers could ever have.