Who hasn't NYC artist Todd DiCiurcio drawn? Side-of-stage, charcoal in hand, Todd creates his pieces in rhythm with the band in question. From Guided By Voices to Grizzly Bear to Edward Sharpe and even Jon Bon, TDC scribbles away. In this clip TDC spends a week near the beach at the La Casa Artist Residency, drinking beer and drawing Australian band MT Warning. Check below for the feature story.
Q. You started drawing as a youngster. Who would you say has influenced you and your art the most?
A. Drawing is something I've always known. I grew up through certain events that affected me very deeply, as everyone does. Being able to express those things through the idea of mark making filled me better than any drug, it became a world I could control. Everything that was happening around me was fueling it. The surf and skateboarding scene was at a peak in the late 80s, which was a huge ongoing influence for me. I was always a surfer even though I was living on a farm in Pennsylvania, the ultimate "shoobie". It was revolutionary [to me] and I still draw influence from that time to this day. My Mother always encouraged me to create, I lost her to brain cancer when I was 14 but she's always around me. I can sense her.
Q. Your first live drawing show was with Guided By Voices back in 1999. How did that first event come about?
A. GBV was the zenith of underground music while I was studying. My studio was a collaborative magic bus of artists, clingers, girls, animals and any freak that wanted to create in the moment. Boundaries were decimated, fires were lit, acid was dropped, arrests were made & great collaborations were forged.
Q. How did it develop from there? Did Guided By Voices spread the word to other bands? You’ve drawn some pretty awesome artists…Dinosaur Junior, Grizzly Bear, And You Will Know Us by the Trail of Dead, Broken Social Scene and ….Bon Jovi! Livin’ on a prayer! What was that like?
A. It wasn’t until 3 years after I graduated did the opportunity to draw GBV present itself when a friend asked me to paint live for one of Jim Faherty’s parties. Right then and there, the live drawing process became a dogma of creation. I would discover bands and ask them to collaborate, I remember finding some CD’s in the trash one day here in Brooklyn and there was this one CD that had no writing; only a graphite drawing I liked on the cover, which I later found out to be Grizzly Bear. I met The Killers at a Saturday Night Live after party, a guy saw my drawings and tapped me on the shoulder who ended up being Ronnie from the band. I drew them live on stage at Central Park in the coming weeks. Jon Bon Jovi is the most incredibly talented & generous person you would ever have the pleasure of meeting let alone collaborate with. Every band is a different story from start to finish the adventure keeps me high for sure.
Q. You mention in your La Casa video that you need to be moved by the music to live draw a band. What is it that gets your attention? Is it about the song or the live performance?
A. My drawing process needs to be done strictly during performance, but not performance based. I would be reacting to the music, start when they start and end when they end. The goal is always to create a dialogue between mark making and the music.
Q. Is there anything you do to prepare for a live drawing show?
A. I have a bit of a ritual before a show; I size the paper to the board that day, I sharpen about six or seven soft charcoal pencils cut in half at the show and I like to pull apart a kneaded eraser. I can't create fucked up at all, it just doesn’t work for me…that said I do enjoy a drink afterwards.
Q. You love to surf and you’ve done some surfboard art. Any interesting collaborations you’d like to tell us about?
A. I have a residency titled "Draw Us Sin" at the P3 Studio in the Cosmopolitan Hotel in Las Vegas (April 17th - May 12th) via Art Production Fund. Expect next level shit to happen here. If you are in Vegas during this time be sure to stop by. You never know who will be there...
Q. Can you tell us about your experience at La Casa? With a live band on the deck (MT Warning) and a world-class break out the front it must have been easy to take?
A. La Casa brings out something in an artist, it enables one to pivot and explore a side of their work they may have never been able to get to. That's what La Casa is to me. We laughed, we cried, we surfed, we wrote music, we made videos, and we lived life. Working with Taylor Steele broadened the arc in my work enabling me to apply my sense of composition to the film medium, and that makes our collaboration as ‘Evil Twin’ quite remarkable.
Todd is represented by Westwood Gallery, SoHo, NYC
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